Despite everything 2017 was a pretty good year for me, probably one of the best I had. I published two books (Cervellopoli + The Senses) and spent most of my time reading and writing about the science of storytelling, metaphors and visualization. A lot of new ideas are brewing in my brain and I can’t wait to start working on them in 2018. I wish your neurons are fired up too!
This last year I had less and less time to draw as my research project advanced. It’s sad, but I always knew that it would be difficult to combine science and illustration in everyday life. Hopefully the things I’m learning will help me, and many others, to make more and better science comics in the future!
A very welcome exception has been this series of ‘collectable cards’ celebrating women scientists, which I have been developing with Massive Science in the past 2-3 of months. I have made approximately 1 per week and there are now 9 of them, neatly arranged on their Instagram. You can find out more about each one of these pioneering scientists and discover new ones in Our Heroes series on their website: https://massivesci.com/themes/our-heroes/
After more than a year spent working on it I can finally announce that Cervellopoli, my first children’s book, is now published!
Editoriale Scienza approached me back in 2015, asking me if I was interested in writing an introduction to neuroscience for younger readers. I had no experience in writing children’s books but thanks to their expert guidance (and a lot of help at the colors from my friend Marie De Beaucourt) I can say that I am very happy with the result.
But the final judgement is now up to my new readers, so if you know a little Italian speaker please consider buying the book for them (I hope to have soon an English edition as well). Thanks!
It has been almost 2 months since I returned from my Djerassi residency and my life in NYC couldn’t have been more different from the peaceful month spent on the Santa Cruz mountains. In the sweltering city I have been rushing to finish my next book, starting my new postdoc and meeting new people.
So here a little souvenir from Djerassi: an intricate visual metaphor in which the beautiful California fog (born by the convergence of evaporation and cold winds) becomes a symbol of what happens at the Scientific Delirium Madness – art and science coming together to create the breeding ground for new ideas.
I left the original page at the residency and I’m happy to announce that a limited edition of 10 signed prints will be sold at their fundraising event on October 16. So if you like this and you want to support a great institution get in touch with them!
PS: scattered around the illustration you can also find little nods to my fellow residents. They probably won’t make any sense to anyone who wasn’t there with us but it was my way to honour this time spent together.
UCL asked me once again to draw some illustration for their Sustainability Annual Report. This year they decided to go digital and present their results with an interactive illustration. Check out the final result with all the animated elements (designed by Rory Pickering) or download the PDF version.
I have a little announcement to make, so please allow me an unusually long post.
When I decided to become a freelance cartoonist in 2013, after finishing my PhD, I never seriously considered returning to academia. I simply didn’t think there would be an institution that would accommodate – even less support – my strange mix of interests. And probably there wasn’t, until Columbia University created the Presidential Scholars in Society and Neuroscience (PSSN for short) with the ambitious goal of creating:
a new paradigm for interdisciplinary university-sponsored research to advance understanding of mind, brain, and behavior, and the social foundations and consequences of new neuroscientific findings.
The good news is that my proposal was accepted! This means that I will have the chance to fully develop this interdisciplinary project and explore how we can use visual narratives to communicate science. I think the proliferation of science-inspired cartoons, animations and webcomics already proves their great potential, but as a scientist I want to go deeper and try to understand the cognitive mechanisms behind visual narrative communication.
Because I think scientists need new communication tools and I believe comics can help us. My hope is that soon they will not be considered just some ‘funny’ way to talk about science but an essential tool for science education. I hope one day to see a professional community of science cartoonists just like the community of science journalists we have today.
Finally – and this is one of the main reasons for me to write this post – I want to make clear that I can’t do this alone. We need interdisciplinary answers for interdisciplinary problems. Luckily, over the past years, I have already met many brilliant people, from many different fields, willing to support me. But I’m sure there are more out there who can contribute to this new emerging field. So, if you are interested in this project, whether you are a scientist, a journalist, a cartoonist, a designer, or any combination of these and much more… please DO get in touch. I’d love to hear from you, what you think and how we can collaborate.
I made this crowd illustration for Ctrl Group, a research and design company working in the field of digital healthcare and health-related technologies. It was really fun to draw because this is such an exciting (and complex) new world. Health apps, personalized genomics, caretaker robots, brain stimulators… Who knows what the future holds? One thing is sure: these guys are going to design the hell out of it! Keep an eye on them.
Hey, did you know that you can now preorder the new issue of LÖK ZINE which is all about cryptozoology? Personally, I contributed with a double illustration about the shadow biosphere (also called ‘weird life’) a controversial theory which argues that since we always look for ‘familiar’ life (composed of the usual stuff: proteins, RNA, DNA) we may have completely missed some non carbon-based microorganisms which could have evolved here on Earth! However unlikely I think it’s a fascinating idea, especially as we start looking for extraterrestrial life which may not look at all as we may expect…
NOTE: the first half of the illustration was inspired by the petroglyphs carved in the so-called ‘desert varnish‘ which has been suggested as a trace of weird life. The second half of course was completely made up (although some sculptures that I have seen at the latest MoMA Picasso exhibition definitely provided some inspiration). Also, I strongly recommend this Mosaic article if you are interested in the ultimate question of “what is life?” (something that has always fascinated me as a biologist).